Gorguts – Considered Dead / The Erosion of Sanity (Dissonance Productions)

 

Death metal exploded in the early 1990s. While other forms of heavy metal submitted to grunge, death metal thrived and produced some really good bands. One such group was Canadian Gorguts. “Considered Dead” and “The Erosion of Sanity” were their initial albums that introduced the band to a worldwide audience. Today, both albums are being looked upon as classics of the genre.

“Considered Death” was a very strong debut, and the band instantly caught on with the death metal fans. Shortly after its release, the group was touring with Cannibal Corpse and really expanded their fan base. Gorguts wrote catchy tunes, took a super heavy approach, and they were a strong live presence. Needless to say, Gorguts took the scene by storm with “Considered Death.”

“The Erosion of Sanity” showed an incredible growth in the songwriting department. Gorguts got even heavier while maintaining a great sense of melody. At the time, this album broke every rule possible and should’ve made the band huge! Instead, the changing musical tastes reduced this album to a cult classic, and the band was dropped by Roadrunner Records.

Both albums still sound great some 30 years later and still deliver a solid punch. This reissue combines the record into one package, and there are some demo tracks added as a bonus. Gorguts is still with us, and they are still very inventive. The band evolved drastically into more complex, at times avant-garde, technical death metal. “Considered Dead” and “The Erosion of Sanity” display Gorguts at the beginning of their metal crusade.

Mark Kadzielawa

Helms Deep—Chasing the Dragon (Nameless Grave)

 

“Chasing the Dragon” is one of those albums that instantly blows you away after just one listen! As you listen to it more, it only gets better. This is a second offering from Helms Deep, and this band is already making huge waves in the traditional heavy metal scene. Helms Deep was created by guitarist/vocalist Alex Sciortino, who is the writer and the brain behind this operation.

Sciortino is an amazing writer, but what’s even more impressive is how he is able to balance the rock, hard rock, and metal influences from the 1970s, 1980s, and 1990s. All of which appears in his songs on this album and is served with delight. Also, the album is very balanced when it comes to applying speed and staying on a mid-pace level. What brings it together is how powerful it all sounds. There’s a level of joy in this music, and you know it’s coming from the right place.

John Gallagher of Raven once again joins Helms Deep on bass and backup vocals. The band is completed by Ray DeTone on lead guitar and Hal Aponte on drums. DeTone is also credited as the co-producer alongside Sciortino. The performances are superb; they give each song exactly what it needs.

“Chasing the Dragon” exemplifies a perfection that is rare nowadays in the field of traditional heavy metal. “Treacherous Ways,” which introduced Helms Deep, was only an indication of what’s to come. “Chasing the Dragon” proves there is substance here and staying power for this new and exciting band. Already a favorite to dominate the top ten lists of 2025!

Mark Kadzielawa

Atomic Rooster – Atomic Rooster 1980 (Esoteric Recordings)

 

Atomic Rooster has a very impressive prog rock history dating back to 1970. At times, it was hard to pinpoint Atomic Rooster to a single style; there were always so many elements in their music that just alternated. They were always interesting, to say the least.

This self-titled album from 1980 came out as a reunion of Vincent Crane (keyboards) and John Du Cann (guitars, vocals) and a session drummer, Preston Heyman. It also marks another major shift in the direction of the band. While the signature aspects of the Atomic Rooster sound were in place, it was more of an aggressive record. At the time the New Wave of British Heavy Metal bands were making the headlines, and Atomic Rooster’s self-titled album definitely qualified to be under that banner as well. There was a definite freshness in the delivery, and the tracks were well built and filled with that youthful excitement.  In some ways, it is very reminiscent of how Budgie followed a similar path with their 1980s output.

The biggest surprise comes from John Du Cann here in the vocal department. In fact, it’s difficult to tell it’s the same person singing, but it completely fits the music. Du Cann must’ve done a lot of soul-searching before delivering this record. Nothing to complain about, though; it sounds perfect, and the vocals are definitely memorable here.  Also, Vincent Crane’s keyboard approach is very powerful, and adds that special something that words simply cannot describe. 

The album was definitely a left turn in terms of the direction and the delivery, and for that reason, it became a sort of forgotten record. Now, this beautiful reissue brings it back to its formal glory for the new fans to discover and enjoy. There are plenty of bonus demo tracks and another disc of a live show from the Marquee Club in 1980. The booklet includes a very comprehensive story of Atomic Rooster, trivial facts, and some archival photos. All in all, this is a great piece of musical history captured back in 1980 and now brought back again to celebrate the greatness of Atomic Rooster.

Mark Kadzielawa

Pat Travers – Heat in the Street Tour 1978 (Cleopatra)

The cool thing about such live releases is that when originally recorded, it was just for live broadcast purposes or so. Back in 1978, no one considered it for an official release; therefore, the band is playing loose, and you feel no pressure in their performance. It’s great 1970s rock, and let’s just say this show is hot!

This truly is a vintage recording, and it captures Pat Travers still in his formative stages on his way towards establishing himself in America. This particular document comes from the Agora Theatre in Cleveland. The date indicates it was November 27th; despite the cold season settling in, Pat Travers brought the heat back to Cleveland.

Pat Travers doesn’t ’just stick to the studio parameters and jams, improvises, and makes these songs truly come alive. What an exciting time it was, and the audience responds enthusiastically. Bands were dangerous on stage, and Pat Travers certainly had his mojo on that evening.

“Heat in the Street Tour 1978” is a must for Pat Travers fans, but those who enjoy an uncompromising dose of 1970s rock will love it too. This is as real as it gets, and nothing is faked here. You hear a performer with a very tight band just relying on his own talent, and he clearly loves what he does. It’s difficult not to be excited by that.

Mark Kadzielawa

Tower – Let There Be Dark (Cruz Del Sur)

 

Tower returns in its blackest edition ever! There’s a very dark mood within this record. It’s not a complaint but an acknowledgement of an asset. “Let There Be Dark” rocks from beginning to end. It’s Tower at its best—powerful, moody, and deliberately bad!

Each song on the album creates a one-of-a-kind mood. Sarabeth Linden’s vocals often contribute to these moods. Even a little difference in her intonation or delivery takes you completely somewhere else. It keeps the album interesting and continuously spinning. As soon as it’s over, you want to play it again, and right there, that says everything!

Instrumentally, Tower is a very tight unit. The band appears to be extremely well prepared, and they show a complete ownership of this material. Guitarists James Danzo and Zak Penley display a great interaction and simply give each song what it needs. Fantastic backing from Phillipe Arman and Keith Mikus. It’s a team effort here, and it’s what makes this album already a great success. The use of Arthur Rizk in the production aspects was absolutely the right move. Tower was able to maintain their heavy edge and still sound very audible in the process.

Prior to “Let There Be Dark” even being recorded, Tower created a significant buzz with their festival appearances. They gained a lot of confidence, which translated into a very honest and powerful album. Is “Let There Be Dark” their best album so far? Absolutely! Not only that, there is already potential for bigger and better things to come!

Mark Kadzielawa

Anthony Phillips – Sail the World (Esoteric Recordings)

 

Anthony Phillips continues to amuse with his music and his (often) unusual and unpredictable choices. This one-time Genesis guitarist carved out a completely separate career for himself, and he’s managed to take plenty of left and right turns. The element of beauty and surprise is always present whenever any music is written and released.

“Sail the World” was released back in 1994, and it has a very equestrian theme. There is even involvement from Mike Rutherford, but don’t expect anything Genesis-like. It’s an instrumental music meant to illustrate visuals that have to do with sailing, boating, and whatnot. The music, however, is quite impressive on its own. It flows pleasantly and has a very calming mood.

This reissue expands the original release to a 2CD format. There’s a full disc of unreleased recordings and alternate mixes. This disc is a real treasure and could easily function on its own. It’s absolutely fantastic when the label takes the time and puts in a solid effort to truly capitalize on the reissue project. Anthony Phillips reissues are nothing but wonderful in how they are being put together and presented.

“Sail the World” is made up of music that is reminiscent of imaginary landscapes and spectacular bodies of water. It brings calmness but makes the listener long for certain places and moments when everything was special and spiritually unusual. While Anthony Phillips just creates these beautiful sounds, he unmistakably feeds your soul with the feeling they present.

Mark Kadzielawa

Barren Cross – Atomic Arena & State of Control (Dissonance Productions)

 

Barren Cross is one of the more recognizable and successful Christian metal bands. While their message is very straightforward and positive, their music follows the traditional heavy metal patterns, and these guys are simply good players and writers. Both albums came out in 1988 and 1989, which was towards the end of the golden age of hair metal. Both strong, catchy, and easy to follow.

Atomic Opera was originally released in 1988, and the album was produced by former Kansas singer, John Elefante, and his brother Dino. Both of them also contributed to the record vocally. It’s a really good melodic metal album that flows from song to song. Big choruses, skillful riffing, and melodic leads. Apart from the lyrical content, this album very much fits with everything that was going on back in 1988.

State of Control almost seems like a continuation of Atomic Opera. It has the same producers, same players, and was made only a year later. It is a very solid effort, delivered with good results. Barren Cross was definitely on a roll, and both albums can certify to that. State of Control clearly shows the band getting better at their craft and the songwriting in general.

Barren Cross appears to be a little overlooked because they navigated within the Christian metal circles, but they were a great and very capable band. In 2025, many more things are more acceptable, and people are more open to things. This is a great way to discover a band that you might have overlooked or completely dismissed. Barren Cross core fans do not need to be persuaded; they know the truth. Great band making its way into the spotlight again!

Mark Kadzielawa