Fermentor – Mind Meld (self release)

 

Fermentor offers a true alternative in the world of metal or death metal.  They are an instrumental duo, and what they do is very unique.  This band is a labor of love, Dylan Marks (drums) and Adam Wollach (guitar) are having a blast playing this type of music.  They are not seeking any kind of wider recognition, and if anything happens they won't mind.  It’s just two friends having a blast!

Mind Meld is a very multi-dimensional record, and that’s very creative for only two guys banging it away.  There is a lot of thought put into this music, and as you listen to it, it makes you focus on completely different aspects sound, riffing, rhythms, or drum patterns.  The absence of vocals highlights other factors which often stay in the background.

The two players in question are very skilled and creative.  They present a different mood with each track, which keeps the album entertaining and engaging.  What you hear on Mind Meld, you don’t always hear on other records where similar instrumental patterns are being explored. There is a level of complicated simplicity in which those two players operate, and the more you listen to it, the more it becomes obvious. 

Fermentor certainly made a record with a lasting impression.  Just like that jars filled with secret substances that you see on the cover; each one hides its own distinctive taste.  Mind Meld will be processing you in no time, just start spinning it.

Mark Kadzielawa

Vandenberg - The Arcada, St. Charles, Illinois, 2/17/24

 

Adrian Vandenberg makes his first visit to United States since his time in Whitesnake.  It was an evening filled with Whitesnake classics, and Vandenberg originals.  Adrian put together a very proficient band, and they were able to carry out any song they wished to play.  The audience consisted of seasoned crowd who grew up with Vandenberg, and witnessed Whitesnake’s domination in the late 80s and the early 90s.  The audience was clearly pleased with the song selection, and the effective delivery.

Adrian Vandenberg, now 70 years old, but still playing with a heart of twenty-something rocker.  He was just as energetic on stage as he was when he played with Whitesnake back in 1990.  It’s inspiring to see that type of energy!  Vandenberg’s delivery was flawless, his leads still possess a lot of feel and color.  He’s still the world class player he always was.  David Coverdale knew what he was doing when he pursued Adrian to be in his band.

Vocalist, Mats Leven, was the undisputed star of the show.  Due to the nature of the songs performed, Leven, was the focal point.  He quickly won the audience over with his easy-going manner, and great delivery.  Trying to sing Whitesnake was never an easy task, David Coverdale is certainly one of the greatest vocalists of all time.  Leven was able to contain Coverdale’s mannerisms, while applying his own voice to the process.  This made his singing very authentic and original.  Whitesnake songs came across very believable, and well received by the audience.

The show stopper was definitely Sailing Ships, a Whitesnake song later also covered live by MoonKings, Vandenberg’s other project.  It was delivered acoustically, only by Vandenberg and Leven, and certainly took the audience by surprise.  It was followed by Hit the Ground Running, a hard rocker from his latest album Sin.  The band encored with Burning Heart, perhaps the most known Vandenberg track from the early 80s, only to climax with Still of the Night, and Here I Go Again.  Just as the band said their final goodbyes, they were brought back for another encore.  This time they ended for good with Love Ain’t No Stranger.

It truly was a great show, entertaining, and well put together.  There were some complaints that too many Whitesnake songs were being played, but the show was billed as such.  When looking around, everyone was having a great time.  The few purists who only wanted Vandenberg’s solo material were in the minority.  Adrian gave the audience exactly what they came for.  And if it was Whitesnake heavy, so be it.  Those songs are timeless, and it’s very unlikely they will be performed by anyone else live at this point.  Enjoy the moment, and performers like Adrian Vandenberg because their time is slowly running out.

Mark Kadzielawa

Lillian Axe – The Box: Volume One – Resurrection (Global Rock Records)

 

Lilian Axe had been rocking the masses for 40 years now.  The band formed back in 1983, but did not put out a record until 1988.  Over the last four decades, Lilian Axe built up a very impressive catalog.  This particular box covers the band’s adventures from 1992 to 2004.  Some could call them the grunge times, where being a band like Lillian Axe was not easy.  This group persevered, they never took their eyes off the prize, and are still with us to this day.

The 7CD instalment, covers a lot of ground, and there are plenty of gems to be experienced here.  First of all, many of these records are hard to find these days, some are of the out of print, and some only available on limited basis, which also drives their prices up to the sky.  This box has it all for you in one place.

The albums highlighted here are:  Poetic Justice, Psychoschizophrenia, Live 2002, Waters Rising, and Sad Day on Planet Earth.  As a special treat, Steve Blaze’s solo album, Random Acts of Blindness is also included.  All of it very nicely packaged, and neatly stored in a CD-sized box.  Since this is only a volume one, there’s definitely another box in the works.

Lilian Axe was always a band that never made it to the first leagues, although their first albums for MCA, showed a lot of potential.  They were always a very solid band, who wrote catchy songs, and entertained audiences on stage.  They were definitely visible, and often on the road when many other hair bands would take a break from being active.  Their brand of hard rock always had a certain style, and even with some personnel changes here and there, they were able to maintain that style.  This box is certainly a great testament to Lillian Axe’s commitment to rock.  So glad to see these albums properly resurrected, and there’s certainly more to come.

Mark Kadzielawa