Saturday, November 2, 2024

Heavy Chicago II – Day 1 – Avondale Music Hall, Chicago, Illinois 11/1/24 (words and images by Mark Kadzielawa)


 

Heavy Chicago festival is back, and already delivering an evening of thrills!  It’s great to see a festival where a combination of styles keeps the listener on the edge, and each performance brings out something unique.  Each band featured this evening represented something different musically.  There was no chance for monotony, it was very wisely mapped out, this was an evening of metal adventure!


Motherless started opened the festival with a very intense set.  They were excited, pumped, and certainly gave their best.  The audience instantly took liking to Motherless!  Their songs were fast and heavy, and their delivery full of rage.  There was a lot of hunger coming out this band, and they just wanted to blind everyone with that internal intensity that was tearing them apart on stage.  Motherless showed a lot of promise, and made people take notice of them.


This was a big evening for Avernus.  The band had just released their long awaited “Grievances” album, and now it was time to play the songs live.  Their set was absolutely stunning, full of moods, and feeling only Avernus can deliver.  There was an incredible amount of experience shining through the new songs, and the group knew how to use it to their advantage.  Kudos to Chris Avgerin who filled in on drums for the injured Rick Yifrach.  The new songs sounded great, and it was great to hear a few Avernus classics as well.  Avernus left everyone with a mood of reflection and sorrow.


Wraith was a perfect band to follow Avernus.  Their intense approach provided a perfect balance, and speed up the pulse of everyone in the audience.  Wraith felt very fresh, mixing tracks from their newest, “Fueled by Fear,” album and some older classics.  The audience instantly loved Wraith, and each song they played generated more intense response.  It’s great to see a band on stage that is simply enjoying themselves, and having a great time.  Wraith was quite unstoppable playing great songs, and displaying some great musicianship.  Each show from these guys is a treat, and a celebration of friendships!



Pelican brought something completely different to the festival.  Their approach was miles apart from every band that performed thus far, yet their feel was completely in the right time and place.  Pelican plays instrumental atmospheric metal/rock.  In fact, it’s difficult to truthfully describe what they do, but it definitely kicks serious ass, and that’s all you need to know.  There were plenty of jazz elements in their music as well.  Pelican created an atmosphere of different landscapes with their music.  They sounded very heavy, and most likely caused a number of irregular heart-beats in the audience.  Not only did they channel the emotions through their songs, but manifested that delivery physically.  They were possibly the most awaited band of the evening.



Bongripper was a perfect band to close down the first day of the festival.  They were also an instrumental band, but their music differed quite a lot from Pelican.  Those two bands may come across as alike, but they are certainly on too different paths.  There was a strong mood of doom, they knew how to invoke a total darkness in their sound.  In some ways, Bongripper’s set was very supplemental to what Pelican did only minutes before, and vice versa.  Avondale Music Hall shook when Bongripper was on stage, and their domination was unquestionable.

In conclusion, this was a great evening of heavy music.  Every band was awarded a fair amount of time on stage, and could be fully enjoyed.  Sometimes less is more, and the running order was perfect.  There was a build-up, and a culmination point to this evening.  One can only wonder what the next two days will bring!

Mark Kadzielawa

GALLERY

MOTHERLESS









AVERNUS





















WRAITH











PELICAN






BONGRIPPER












Friday, November 1, 2024

Agent Steel – Mad Locust Rising – Live at Hammersmith Odeon (Dissonance Productions)


 

This is a very historic release from Agent Steel, and it’s about time somebody took interest in this lost and forgotten gem.  Originally, it was released as video tape in Europe, and quickly went out of print.  It’s great to see it upgraded and released once again.

This time it’s available as CD/DVD package.  It definitely sounds and looks better than that video tape from decades ago.  The show itself captures the band in a very interesting time.  The line-up of Agent Steel was rebuilt with this specific tour in mind.  It included a very young James Murphy, and bassist, Richard Bateman.  Both of course went on to other things and variety of bands.  Here we see them taking baby steps on a center stage at Hammersmith Odeon.

This show gives an overview of what Agent Steel was like on stage.  Very intense and energetic performance.  Yes, there are some technical problems, and some mistakes here and there, but as a whole it has a great feel of a live show.  So, all of those other kinks really fall into the background.  This line up really got the right feel, and was able deliver the goods.  Vocalist, John Cyriis sounds great and inspired.  He was truly one of the greats and original singers of the 1980s underground metal. 

Watching this makes you wonder, how come Agent Steel never managed to get it together to take it to another level.  It was unfortunate, but some of the troubles faced back then still continue to this day.  This set is a fine proof of the greatness that once was.  As you listen and watch the band play, you wish the show was longer, but at the same time you realize that sometimes you have to enjoy what you can. 

The set is accompanied by a very informative booklet.  James Murphy appears to be the only contributor, so you see things from his perspective, but that’s good enough to see what went down, and why this line up was never going to work out in a long run.  Despite it all, this set rocks hard, and is a great live document of a band that created some amazing music back in the day.

Mark Kadzielawa