Wednesday, October 30, 2024

Deep Purple: 40 Years of Perfect Strangers, the Makings of a Perfect Reunion (by Mark Kadzielawa)


It’s hard to believe that Deep Purple’s reunion album, Perfect Strangers, came out 40 years ago.  At the time, the announcement of Deep Purple reunion was a big deal.  One of the finest hard rock bands from the 1970s was making a most unexpected comeback, and it was was the infamous Mark II line up.  At the time, every member of that line up was busy, and being successful.  Ritchie Blackmore and Roger Glover were both going full force with Rainbow, Ian Gillan made an album with Black Sabbath, Jon Lord was going strong with Whitesnake, and Ian Paice was drumming for Gary Moore.  No one was in any financial need, or desperate due to a fading career.  Also, there were conflicts, especially on the Blackmore-Gillan front which were never quite resolved.  Yet, they managed to put all of that aside for the greater good, and reunited a ghost from the past.

It wasn’t a huge announcement, more like circulating rumors here, and there.  Deep Purple were giants in the 1970s, but could they still do it a decade later?  There were a number of failed reunions, or reunions that did not bring back the expected results.  Would Deep Purple sacrifice its glorious past in order to make some quick bucks?  As soon as the first reports of band entering the studio surfaced, everyone realized this is a serious venture, and that something is happening.  Now, everyone was speculating as to what the new material would sound like?  Would it match the triumphs from the past?  Would there be another Smoke on the Water?

Once Perfect Strangers hit the record stores on October 29, 1984, the music world was in for a big surprise.  The record was absolutely brilliant, in fact it is often named as the best reunion album of all times.  What Deep Purple did was astonishing.  The group didn’t go for the vintage sound, but took a very modern approach with the current technology at their disposal.  They inserted the original spirit of Deep Purple into the feel of the 1980s, and that was the magic of "Perfect Strangers."  The essence of the band everyone grew up with was there, and they achieved a perfect balance by staying current.  The production was handled by bassist, Roger Glover, who understood the sound and the abilities of each musician.

The album consisted of 8 tracks on the vinyl, but there was a total of 10 recorded compositions.  “Not Responsible” ended up as a bonus song on the cassette and CD at the time, and “Son of Alerik” was included as a B-side to “Perfect Strangers” single.  The main 8 songs on the album were very strong.  The title cut, “Perfect Strangers” is an old unused Rainbow riff, adding the magical touch from Jon Lord, it became one of the most memorable and beloved songs from the album.  The current Deep Purple band is still playing the song live, so its longevity is well accounted for.  “Knocking at Your Back Door” was the second single, and the rocking nature of this song attracted a lot of radio airplay.  “Perfect Strangers,” and “Knocking at Your Back Door” were the only two songs the band shot video clips for. 



The remaining songs may not have had the hit potential, but they were extremely vital.  “Under the Gun” displayed a great interaction from Blackmore, and Lord, with everyone else filling in the middle.  “Nobody’s Home” is a mid-tempo rocker with some great tongue in cheek words from Ian Gillan.  “Mean Streak” is the root of all evil with which black mamba can’t even compete, and the temptation is bitter sweet.  Side A of the original vinyl was flying!  “Perfect Strangers” with its magical middle eastern feel and scales is the epic track that dominates this album.  Its impression stays with you forever once you hear it.  It’s one of those songs that you don’t just hear, you feel it deeply.  “A Gypsy’s Kiss” is an up-tempo rocker with some amazing dialogue from Blackmore and Lord.  This song is just a springboard for both of these players to shine and conquer.  “Wasted Sunsets” is simply beautiful song, with an amazing feel, and a very retrospective reflection.  In many ways, 40 years later, this might be hidden gem on this record.  The album closes with “Hungry Daze.”  It’s a song with a very classic Deep Purple feel that lyrically looks back at the past, and tries to capture the passing time.  The band even managed to reference themselves in this track, in a very clever way.  Much has to be said about Ian Gillan’s lyrics on “Perfect Strangers.”  There is a lot of dark British humor here, plenty of innuendos, but above all they are very clever.  Even after four decades, the lyrics still offer a discovery or two.

The performance much like the title of the record is perfect.  The band is made up of super talented musicians, only more experienced than they were a decade earlier.  They knew what they were doing, and knew how to get there.  What makes the difference is that the material is catchy and strong.  At the end of the day, it’s a deciding factor whether a record will live forever, or die instantly.  The magic was present on “Perfect Strangers,” and forty years later that magic is still equally strong and impressive.  Many Deep Purple aficionados agree the band was at their absolute best, and even if they were not, they came dangerously close.

The accompanying tour was a huge success as well.  The band ended up adding many dates, and often played multiple nights in certain cities.  The shows were magical, the group was getting along.  Deep Purple chose five tracks from “Perfect Strangers” to feature in the live set, which also underlines the fact as to how important that album was to them.  There were smiles, enthusiastic fans, and great energy on both sides of the stage.  Deep Purple had fun on stage, they were improvising, jamming, and getting the most out of each song.  Having seen Deep Purple at their stop in Chicago, in February, 1985, this writer can whole heartily agree with all positive reports that are circulating from that time frame.  It was special, and it could never be duplicated.  Even when listening to a bootleg recording from the very show mentioned above generates an incredible amount of excitement and thrills.  There were many great Deep Purple shows that followed since that time, but that type of magic could never be recreated again.  It was a special time that simply belonged to the band, and to those who were able to accompany them during those shows. 

So where are they now?  Deep Purple as a band still continues to record and play live shows.  At this point, the band consists of Ian Paice, Roger Glover, and Ian Gillan from the "Perfect Strangers" line up.  Ritchie Blackmore exited the band for good in 1993, and continues his career in Blackmore's Night.  Jon Lord left the band in 2002, and sadly passed away in 2012.  In some ways, it all feels like a lifetime away.

As a whole package, “Perfect Strangers,” earned the right to be called a legendary record.  While it was new at one point, it aged quite gracefully, and now it’s a classic, and to some a holy grail.  Even after 40 years, the album feels fresh, and full of energy.  Deep Purple’s catalog is very diverse, and it’s grown even more diverse in the recent years.  “Perfect Strangers” certainly has its own temple in the grand scheme of things.

Mark Kadzielawa

 




Monday, October 28, 2024

Michael Schenker – My Years with UFO (Ear Music)


 

Michael Schenker had been doing great things in the last 15 years.  He clearly fell in love with playing his guitar and performing live.  He’s been releasing great records, and delivering breath taking shows with a big smile on his face.  This particular record reunited Schenker with the songs that made him the star he is today.  His time with UFO was magical, but in terms of personnel, it wasn’t always an easy relationship.  As a result of that traction, some amazing music was created.  Is this Schenker facing his challenges from the past?  You be the judge.  If it does him good, so be it, otherwise why would there be a need for a record like this?

Joining Schenker are some spectacular singers such as Dee Snider, Joey Tempest, Joe Lynn Turner, Biff Byford, Axl Rose, Jeff Scott Soto, Erik Gronwall, Kai Hansen, Michel Voss, and Stephen Pearcy.  Impressive list of frontmen for sure, but let’s be honest, nobody sang these songs better than Phil Moog, who wrote the lyrics and the vocal melodies.  Phil Mogg sang these songs within his range, and everyone here is known for rather soaring vocal delivery.  This fact puts everyone here completely outside of their comfort zone, and that makes the album sound quite attractive.  Some of the singers are not even recognizable because they can’t insert their signature sound into the material.  One feeling that comes across is that no one is faking anything here, everyone who contributed clearly has love and affection for this material.  No doubt about that!  One of the best deliveries actually comes from Erik Gronwall, but everyone else deserves the credit for giving their best.  The album flows nicely, and it’s great to move from one color to another.

Michael Schenker himself plays with renewed rigor, and nails every note perfectly.  Apart from few slight changes, he pretty much stuck to the original arrangements making the album sound very authentic.  These songs are so strong, it would be very difficult to mess them up instrumentally or vocally for that reason.  The eleven tracks included here are all absolute classics, and pretty much in UFO’s setlist down to the very last concert.  I’m sure you are already throwing the titles around your head, guess what, you’re right! 

My Years with UFO is a celebration of a very special and extremely creative time.  Some say, this is where Michael Schenker did his best work.  He certainly opened people’s perception as to what else can be done on guitar.  Schenker's playing skills and his unique tone influenced a few generations of players, and will continue to do so.  This album is a great testament to all of this!

Mark Kadzielawa

Monday, October 21, 2024

Paul Di'Anno, the Prodigal Son (a personal tribute by Mark Kadzielawa)


 

Paul Di’Anno had a long but strange career.  One thing about him I liked is that he did everything on his own terms.  Not always the best choices, but they were truly his.  He navigated his life the best he knew how. 

The Iron Maiden years were crucial, and pretty much locked him in that perimeter.  He could never quite get out of the shadow of those two albums he’s made with Iron Maiden.  The records were fantastic, released in 1980, and 1981, when heavy metal music was in its infancy.  The fans from all over the world were exposed to it, and pretty much forever scarred.  The early Maiden was extremely influential to countless bands that followed on the heavy metal path.  There are still fans out there who swear by those two albums, and refuse to accept anything else that followed.  And rightfully so, the Iron Maiden with Paul Di’Anno on vocals was very special, and extremely far reaching.  Also, the band was a lot more aggressive sounding than anything else they did with Bruce Dickinson, or Blaze Bayley.  Not to say Iron Maiden had  became a bad band afterwards, it was just a completely different dynamic.  They became extremely successful, so they knew what they were doing, and what they were aiming for.

Iron Maiden was on a quest for a world domination, which they pretty much achieved that by 1984.  Could they have done it with Di’Anno on vocals?  Very unlikely, but they still would’ve been a killer band.  Steve Harris and Rod Smallwood had different goals in mind, and Di’Anno’s unpredictable behavior, and unreliability, only speed up his exit from the band. 

Paul Di’Anno continued with several projects, and various amount of success.  Di’Anno band, in 1984, sounded very commercial, and only left on album.  This project was eventually revisited a couple decades later with slightly better results.  Things improved vastly with Battlezone, and Killers.  Both projects had some credibility, but stopped just as the momentum was building up.  Finally, Paul Di’Anno started releasing records under his own name.  He could never really have vital career outside of Iron Maiden.  That shadow just kept orbiting around him at all times.  In live situations, the fans mostly wanted to hear the Maiden tracks, and he kept playing them at the expense of whatever he was promoting at the time.  Eventually, his live set completely consisted of Maiden songs.  He did not even have a band, but played with back up groups that knew the Maiden material. 

Despite all of this, and serious concerns about his health, he kept on going.  At one point, he had a difficult time getting around, his mobility eventually reduced to a wheel chair.  Not even that could stop him from being creative, and performing.  Paul Di’Anno was a real force of nature.  His exit is unexpected because it seemed like he caught another lucky break recently.  There was a new record out, and a new opportunity.  It was great to see him reconnect and  make peace with his bandmates from Iron Maiden.  Perhaps all of those closures needed to happen in order for Paul to find a personal peace.

Paul Di’Anno leaves an incredible legacy behind.  He was part of something special and legendary.  His music is greatly appreciated by heavy metal enthusiasts from all over the globe, and will continue to be discovered by younger generations of fans.  He had a definite style and charisma that was completely his, but above all, he did it his way.  Having spent few hours with the man himself, this writer can declare that he was bad-ass motherfucker who would not compromise one bit!  RIP Paul Di’Anno….

Mark Kadzielawa

Thursday, October 17, 2024

IronFlame - Kingdom Torn Asunder (High Roller Records)



IronFlame returns with a brand-new album, Kingdom Torn Asunder.  It’s great to see an up and coming band making steady progress while maintaining a certain level of excitement.  Kingdom Torn Asunder is without a doubt one of the best heavy metal releases of 2024.  It’s a very sincere record that celebrates the music and the passion of its main creator.

Andrew D’Cagna is the sole creator of this album, and once again he is victorious in his quest at creating a perfect heavy metal record.  D’Cagna is one of the few visionaries who possess the ability to envision each layer of the song, and then have the means to carry it out in the studio.  Much like Athenar of Midnight, or Chris Black of High Spirits, D’Cagna’s musical wit and skills rate him very highly among his peers.  The only difference here, is that both guitar players, Quinn Lukas and Jesse Scott, from the live band wrote and performed their leads on the record.  When you have players this good available, it would be a sin the keep them on the leash.

Kingdom Torn Asunder is full of many great compositions.  The songs have a very melodic feel, and before you know it, you are singing along with most of the tracks.  Lyrically, it’s the medieval fantasy, but upon closer examination, metaphorically, many of these tracks can be interpreted differently.  If you look hard enough, you will find what you’re searching.  Either way, it’s an incredibly rewarding listen, and you’ll find yourself going back to this record again and again.

IronFlame struck gold here!  They’ve developed a very rich sound and a style, and now they are able to move places within it.  The mood of this record is a lot lighter, and more in sync with European metal bands than it was on Where Madness Dwells, yet both of them are definite IronFlame releases.  One can only wonder where D’Cagna will go next, but in the meantime, Kingdom Torn Asunder is the name of the game.  Big chords, big words, and soaring delivery, just pure magic!

Mark Kadzielawa

Monday, October 7, 2024

Alien Sex Fiend – Classic Albums Volume 3 (Cherry Red Records)


As the title indicates, this is the third instalment of Alien Sex Fiend albums.  The label on the box says, “Exhumed from the vaults!”  Yes, it’s a great treat for any Alien Sex Fiend enthusiasts, or anyone into dark goth rock.  This music is clearly not for everyone, it takes a very specific taste to truly understand and appreciate a creation like Alien Sex Fiend.

There are four albums included in this set.  Namely, Nocturnal Emissions, Information Overload, Death Trip, Possessed.  There is also a disc with alternative mixes, and the Re-Possessed EP from 2019.  The albums include several bonus tracks, many of which were never before released.  It’s a true collection of just about all you ever wanted to have from Alien Sex Fiend.  And it’s all in one place!

The music here takes you on a wild ride, it’s a death trip, it’s nocturnal, and you feel possessed by the overload of dark tunes!  At the same time, Alien Sex Fiend are incredibly creative and intense unit.  The dark overtones, or just pure evil, creates a very eclectic mood.  It takes your head somewhere else, away from 9 to 5, away from everything.  It fills the void, and it makes you feel great! 

Once again, Cherry Red Records, comes through with a winner!  This set is explosive, and extremely well put together.  The accompanying booklet is very informative, and rich in visuals.  The band was obviously involved, and nothing is out of place here.  Grab it, play it, and feel zombified!

Mark Kadzielawa